As a result of her performance, she won the Academy Award for Best Actress in a Leading Role. The performance gained her an Academy Award nomination, and in 1970 she played another interesting character in "Tell Me That You Love Me, Junie Moon." Although she was gaining quite a reputation with these film roles, her true film breakthrough came in 1972 with "Cabaret." She played Sally Bowles, the most iconic role of her career. Two years later, she booked a role in the film "The Sterile Cuckoo," playing a nerdy teenager. Minnelli also got started as a film actress during the 60s, and her first credited role was in "Charlie Bubbles" in 1967. She continues to release successful albums well into the modern era, and in 2010 she released the album "Confessions." During this period, she was nominated for several Grammys. In 1989, she teamed up with the Pet Shop Boys to record the album "Results." The album charted well. During the 60s, she recorded a number of albums and continued to release more albums throughout the 70s. While still 19, Liza began to sing at nightclubs all over the country. While her acting career was blossoming, Minnelli also nurtured her singing career. By the age of 19, she had booked a leading role in the Broadway musical "Flora the Red Menace." She won a Tony Award as a result of this performance. Liza's first professional acting role came at the age of 17 when she took a role in the off-Broadway musical "Best Foot Forward." The next year, she performed alongside her mother at the London Palladium. In 1961, Minnelli moved to New York City to attend high school. Liza was raised alongside a number of half-siblings and began her film career at the age of three, taking a role in "In the Good Old Summertime." The movie also starred her mother. Her father is the late stage and film director Vicente Minnelli. Born into a family of entertainers, Liza's mother is the late Judy Garland. Along the way, as usual, they have set their complaints to some appealing, if overly familiar, show music with an interwar feel.Liza May Minnelli was born on March 12th of 1946 in Los Angeles, California. Meanwhile, Anna is no saint, either, and by the end, although the characters themselves are reconciled, the creators have moved from merely disparaging the younger generation to a more general misanthropy (which makes the story structure essentially similar to one they have pursued before, notably in Chicago). Minnelli, not exactly a rock & roller herself, seems content to serve as the object of their ire, but inevitably she makes Angel more sympathetic than they probably intended originally. Kander, always most comfortable re-creating the hot jazz sound of the 1920s (as he does in Rivera's opening number, "Chief Cook and Bottle Washer"), clearly hates rock & roll, and Ebb, who lampoons the idealism of the ‘60s generation in "All the Children in a Row," appears to hate its fans as well. Angel is supposed to be a drug-taking, guru-loving hippie waif who is coming to her senses, while Anna is the embodiment of a disaffected, working-class, ethnic Reagan Democrat, complaining about how her world has gone to hell, as she does in such songs as "What Happened to the Old Days?," in which urban blight is evoked by the sound of an electric guitar. Minnelli's typical gamin appeal adds some balance to the scales in what is actually the songwriters' (and librettist Terrence McNally's) grumpy attack on the younger side of the ‘60s generation gap. If the show is a star vehicle, it was actually built as such for Rivera, not Minnelli, but once Minnelli was (mis)cast, her part was beefed up to the point that it's actually she, not Rivera, who opens the show with "Colored Lights," a number that should translate easily to her nightclub act. Actually, it wasn't, and she was shoehorned into the secondary role of Angel Antonelli, the nearly 30-year-old prodigal daughter of Anna Antonelli ( Rivera), who returns home to the roller-skating rink her mother has been running in a rundown amusement park, intent on settling down, only to find that the rink is about to be torn down and Anna is planning to move away. Since the songwriters John Kander and Fred Ebb have been working with Liza Minnelli for 20 years, providing her with one signature number after another (not to mention Ebb's authorship of her continually revised nightclub act), it would be easy to assume that the Broadway musical The Rink, in which she co-stars with another Kander/ Ebb favorite, Chita Rivera (of 1975's Chicago), is a star vehicle written for her.
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